It would be fitting to examine the vicissitudes of the existence of Noelia, that young woman recently murdered by the Leviathan. According to the systemic chroniclers, Noelia suffered a horrendous childhood, with indebted or alcoholic parents, or both at once, who did not attend to her as she deserved or neglected her upbringing. I do not doubt that hers was a suffering childhood and that the attitude of her parents left her very deep wounds. But surely they were not as deep as those suffered by Beethoven, whose alcoholic father inflicted bestial beatings upon him and locked him in a basement for days on end. Or as those endured by Dickens, who had to work at barely 12 years old in a shoe factory, after his father was imprisoned for debt, condemning his family to beggary. Or, finally, as the wounds suffered by Chaplin, whose alcoholic father abandoned the family before dying cirrhotic and lost, leaving the children in the hands of a mother who was an inveterate tenant of the asylum.
Fortunately for Beethoven, Dickens, or Chaplin, there was no 'protective' Leviathan to take charge of them; and the suffering that kneaded their childhood days was fertile and converted them into geniuses. Unfortunately for Noelia, the Generalitat of Catalonia decided to «avoid her suffering», for which it removed custody from her indebted or alcoholic parents, or both at once, and interned her in a youth detention center, positioning itself as her «protector». The prevailing idiocy tends to consider that public institutions are our guardian angels; but this is a completely erroneous premise, a grave cognitive distortion. Public institutions, in an iniquitous political regime such as the one we suffer, are at the service of the Leviathan; and their primary purpose is to convert the family into a field of Agramante. The modern Leviathan hates the family because it knows it is a bastion of resistance against its interference (hence it has weakened the protection of marriage and fostered divorce, hence it has encouraged competition between the sexes and rupture between generations, hence it has exalted the most capricious forms of cohabitation and elevated abortion as a right); and it hates parental authority most especially, because it prevents it from exercising complete guardianship over children (hence they repeat with psychopathic monomania that «children do not belong to their parents»).
Family situations such as the one Noelia suffered, so unfortunately habitual in societies that have previously been pulverized by the Leviathan, are merely the excuse that the Leviathan uses to ensure the destruction of lives. The Leviathan desires to corrupt our children, desires to destroy their innocence, desires to debase their souls with aberrant and dysphoric ideations; and in the children of conflicted parents it sees a golden opportunity to execute its designs.
Noelia was a victim of the Leviathan, which caused her to be raped on various occasions; until, sunk in depression, she jumped from a fifth-floor window to take her own life, remaining permanently damaged, with apparently very intense physical pain, but surely less than her moral pain. This is how Noelia decided to request euthanasia from the Leviathan that first separated her from her family and confined her to a youth detention center, that never provided her with effective guardianship, that did not provide her with adequate treatments to combat her pain. Had Noelia not been gravely obscured by pain, had she not suffered very afflictive disorders, she would not have resorted to the Leviathan, the cause of all of them; but Noelia was by then shattered, they had converted her into a remnant, and she absurdly resorted to the scoundrel responsible for her misfortune, who of course granted her euthanasia, feigning compassion for her sufferings. But, in reality, it was erasing the evidence of its crime.
The Leviathan first deprived Noelia of a family life worthy of the name, fostering dissolute forms of living and providing her parents with all the instruments to convert the existence of their daughter into an anticipated hell. Then, once deprived of natural communal bonds, the Leviathan bestowed upon Noelia a life of solitude and abandonment, converting her into sad flesh, bereft of love and easy prey to abuse, allowing a swarm of mental disorders and turbid thoughts to colonize her, until it drove her to suicide. But Noelia did not manage to kill herself, but rather remained half-crippled, converted into abandoned flesh, human scrap to which the Leviathan insidiously imbued the idea of taking control of her destiny. Since the Leviathan could not provide her with a cure for the damages it had previously inflicted upon her, it provided Noelia with the possibility of ending them by ending herself. Dead dog, end to the rabies, is the motto of the euthanasic Leviathan.
By supplying a sweet death to those who suffer, the Leviathan shatters the ultimate alliance of the human being with itself, with the human community, and with God. «Let not your mercy die, my lord, but take my counsel and live many years, because the greatest folly a man can commit in this life is to let himself die without more ado, without anyone killing him nor other hands finishing him than those of melancholy», says good Sancho to Don Quixote, giving voice to our humanity. The modern Leviathan denies our humanity, breaks that notion inscribed in our souls, founding of civilization, that teaches us that life is a good that we must guard, especially when it becomes weak and vulnerable. And, using our fragility, it convinces us that suffering is something unbearable, something that must be eradicated at any cost; eradicating ourselves, if necessary.
The Leviathan has prescribed a sweet death to Noelia to combat her depression (an infallible method to end waiting lists), after having inflicted upon her the damages that caused it; and it wraps its crime in repulsive compassionate words and emetic sentimentalism. It is the language of the Leviathan, which no longer even needs to exercise violence because it has learned to justify it; the language of a sick age that in crime finds the only form of piety possible.
It is legalized barbarism.